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Allegri, Gregorio (Attrib.) - Italian; Bai, Tommaso (Attrib.) - Italian.
     Lamentazioni del Mercoldi Santo.
Early 19th century
Manuscript Number: Egerton 2450; Hughes-Hughes vol.i, 199. In D minor, for 4 voices. Said here to be by Tomaso Bai, but ascribed in Add. Ms. 24291 to Allegri; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Lamentations

Allegri, Gregorio - Italian.
     Miserere mei, Deus: Tunc imponet super altare tuum.
Early 19th century
Manuscript Number: Egerton 2450; Hughes-Hughes vol.i, 250. For 2 choirs of 5 and 4 voices; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Misereres

Anfossi, Pasquale - Italian.
     L'Avaro.
1776; copied late 18th century
Manuscript Number: Add. Ms 15982; Hughes-Hughes vol.ii, 352. Contains Acts ii and iii only. With accompaniment: trumpets, flutes, horns, oboes and strings. In a different hand from Add. Ms 15981; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Operas

Anfossi, Pasquale - Italian.
     L'Avaro.
1776; copied late 18th century
Manuscript Number: Add. Ms 15981; Hughes-Hughes vol.ii, 352. With accompaniment: trumpets, flutes, horns, oboes and strings; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Operas

Anfossi, Pasquale - Italian.
     La Finta Giardiniera, I.
1774; copied c.1774
Manuscript Number: Add. Ms 15985; Hughes-Hughes vol.ii, 303. Acts i and ii only, with symphonies and accompaniments: trumpets, flutes, horns, oboes, bassoons and strings; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Operas

Anfossi, Pasquale - Italian.
     La Finta Giardiniera, II.
1774; copied c.1774
Manuscript Number: Add. Ms 15986; Hughes-Hughes vol.ii, 303. Acts i and ii only, with symphonies and accompaniments: trumpets, flutes, horns, oboes, bassoons and strings; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Operas

Anfossi, Pasquale - Italian.
     Gl' Artigiani.
1793; copied c.1795
Manuscript Number: Add. Ms 15983; Hughes-Hughes vol.ii, 315. In 2 Acts, with symphonies and accompaniments: flutes, horns, oboes and strings; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Operas

Anfossi, Pasquale - Italian.
     Laudate, pueri (with Gloria Patri).
1808
Manuscript Number: Add. Ms 14174; Hughes-Hughes vol.i, 349. For 5 and 7 voices, with accompaniment: bass for organ. In the hand of Abbate Fortunato Santini; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Psalms

Anfossi, Pasquale - Italian.
     Mass (Kyrie and Gloria in B flat and D).
Early 19th century
Manuscript Number: Add. Ms 14174; Hughes-Hughes vol.i, 232. For 2 choirs of 4 voices, with accompaniment: bass for organ. In the hand of Abbate Fortunato Santini; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Masses

Anfossi, Pasquale - Italian.
     Mass (Kyrie and Gloria in B flat and D).
Early 19th century
Manuscript Number: Add. Ms 14174; Hughes-Hughes vol.i, 232. For 2 choirs of 4 voices, with accompaniment: bass for organ. In the hand of Abbate Fortunato Santini; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Masses

Anfossi, Pasquale - Italian.
     Ninive Conversa, Part I.
18th century
Manuscript Number: Add. Ms 15984; Hughes-Hughes vol.i, 374. In two parts, with Latin words, for solo voices and 3-part chorus, with symphonies and accompaniments: horns, oboes, bassoons and strings; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Oratorios

Anfossi, Pasquale - Italian.
     Tonant irato coelo.
18th century
Manuscript Number: Add. Ms 14192; Hughes-Hughes vol.i, 443. With accompaniment: oboes, horns, etc; Type: Ms. Copy: Parts.
Genre: Sacred Vocal Music: Solo Motets

Anonymous.
Late 18th century
Manuscript Number: Add. Ms 14200; Hughes-Hughes vol.i, 334. A 4-part motet, without name; Type: Ms. Copy: String parts and figured bass part.
Genre: Sacred Vocal Music: Motets

Anonymous.
     Ad te levavi animam; Populus Sion; Gaudete in Domino; Rorate, coeli; Hodie scietis; Dominus dixit ad me, Filius; Lux fulgebit; Puer natus est nobis; Sederunt principes; Ex ore infantium; Dum medium silentium tenerent omnia; Ecce, advenit Dominator; In excelso throno; Omnis terra adoret te; Adorate Deum; Circumdederunt me; Exurge! Quare obdormis; Esto mihi in Deum; Misereris omnium, Domine; Invocabit me; Reminiscere miserationum; Oculi mei; Lætare, Jerusalem; Judica me, Deus; Domine, ne longe facias auxilium; Judica, Domine, nocentes me; In nomine Jesu; Nos autem gloriari oportet; Resurrexi et adhuc tecum sum; Introduxit vos Dominus; Aqua sapientiæ; Quasi modo geniti infantes; Misericordia Domini; Adjutor et protector; Jubilate Deo, omnis terra; Cantate Domino canticum novum; Vocem jucunditatis; Viri Galilæi; Exaudi, Domine, vocem meam; Cum sanctificatus fuero; Spiritus Domini; Cibavit eos; Accipite jucunditatem; Benedicta sit sancta Trinitas; Domine, in tua misericordia; Factus est Dominus; Respice in me et miserere; Dominus illuminatio mea; Exaudi, Domine, vocem; Dominus, fortitudo plebis suæ; Omnes gentes, plaudite; Suscepimus, Deus, misericordiam; Ecce, Deus adjuvat me; Cum clamarem ad Dominum, exaudivit; Deus in loco sancto; Deus, in adjutorium; Respice, Domine, in testamentum; Protector noster; Inclina, Domine; Miserere mihi, Domine; Justus es, Domine; Da pacem, Domine; Salus populi; Omnia quæ fecisti; In voluntate tua; Si iniquitates observaveris; Dicit Dominus, Ego Cogito; In nomine Jesu; Scio cui credidi; Mihi autem absit gloriari; Suscepimus, Deus, misericordiam; Gaudeamus omnes in Domino; Clamaverunt ad te; Ecce, oculi Domini; Charitas Dei diffusa est; Minuisti eum (S. Aloysius Gonzaga); De ventre matris; Multæ tribulationes; Nunc scio vere; Majorem hac dilectionem (S. Camillus de Lellis); Effusum est in terra (S. Hieronimus Emilianus); Gaudeamus omnes in Domino; Illuxerunt coruscationes tuæ; Mihi autem adhærere Deo (S. Cajetan); Confessio et pulchritudo; Dispersit, dedit pauperibus; Probasti, Domine; Venite, filii; audite (S. Josephus Calasantius); Stabant juxta Crucem; Narrate in gentibus; Benedicite Dominum, omnes; Salve, sancta parens; Mihi autem nimis honorati sunt; Statuit ei Dominus; Sacerdotes Dei; In virtute tua; Lætabitur justus; Protexisti me, Deus; Sancti tui, Domine; Intret in conspectu tuo; Sapientiam sanctorum; Salus autem justorum; Sacerdotes tui; In medio ecclesiæ; Os justi; Justus ut palma; Loquebar de testimoniis tuis; Me expectaverunt; Dilexisti justitiam; Vultum tuum; Cognovi, Domine; Terribilis est locus; Gaudens gaudebo (Pro eligendo Summo Pontifice).
1802
Manuscript Number: Add. Ms 14202; Hughes-Hughes vol.i, 346. With accompaniment: bass for organ. Described as Introiti Delle Messe di tutto l'Anno. Musica di varii Eccellenti Autori per uso della Cappella...dell' Oratorio di Napoli. Scored by Camillo Franco. The music is probably by obscur; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Motets

Anonymous.
     Ah, se il mio ben perdei.
c.1756
Manuscript Number: Add. Ms 14224; Hughes-Hughes vol.ii, 292. With symphonies and accompaniments: strings. Described as Per uso della...Marchese Gomez d'Olivera; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Opera Extracts

Anonymous.
     Gloria patri.
Late 18th century
Manuscript Number: Add. Ms 14200; Hughes-Hughes vol.i, 447; Type: Ms. Copy: Vocal part with bass for organ, strings and duplicate bass.
Genre: Sacred Vocal Music: Songs

Anonymous.
     In Armonico concentu.
Late 18th century
Manuscript Number: Add. Ms 14200; Hughes-Hughes vol.i, 334; Type: Ms. Copy: 2 canto and 2 alto, tenor and bass parts.
Genre: Sacred Vocal Music: Motets

Anonymous.
     Laudes coelo nunc canendo.
Late 18th century
Manuscript Number: Add. Ms 14200; Hughes-Hughes vol.i, 334; Type: Ms. Copy: 2nd canto, alto, tenor and bass parts.
Genre: Sacred Vocal Music: Motets

Anonymous.
     Mandavit in æternum.
Late 18th century
Manuscript Number: Add. Ms 14200; Hughes-Hughes vol.i, 334; Type: Ms. Copy: Treble chorus and solo part.
Genre: Sacred Vocal Music: Motets

Anonymous.
     Mass (Kyrie in B flat, and Gloria in G).
18th century
Manuscript Number: Add. Ms 14198; Hughes-Hughes vol.i, 225. For 4 voices, with accompaniments: strings and bass for for organ. The Gloria is preceded by a symphony in which oboes and horns are introduced; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Masses

Anonymous.
     Messa de' Morti in D minor.
18th-19th century
Manuscript Number: Add. Ms 14199; Hughes-Hughes vol.i, 393. For 4 voices, with accompaniments: strings and bass for organ. Probably in an Italian hand; Type: Ms. Copy: Score.
Genre: Sacred Vocal Music: Requiems

Anonymous.
     Piu ch'a te penso.
1776 (?)
Manuscript Number: Stowe 1083, ff.117-118; Hughes-Hughes vol.ii, 72. With accompaniment: bass for harpsichord. Described as Duettino del Signor- to which the name Ottaña has been added by another hand, together with the note, written by Jean Jacques Rousseau de Genêve..; Type: Ms. Copy: Score.
Genre: Secular Vocal Music: Duets

Anonymous ; Paganini, Ercole (Attrib.) - Italian.
     Componimento Drammatico che introduce ad un ballo Cinese.
Late 18th century
Manuscript Number: Add. Ms 14234; Hughes-Hughes vol.ii, 352. Overture or intermezzo from an untitled opera, possibly Lisinga by Paganini. With accompaniment: flutes, horns, oboes, strings and bass for harpsichord; Type: Ms. Autograph (?): Score.
Genre: Secular Vocal Music: Overtures (?)

Anonymous; Reggio, Pietro Francesco (Attrib.) - Italian.
     Cessate.
Late 18th century
Manuscript Number: Add. Ms 14200; Hughes-Hughes vol.i, 447. At the end of the first violin part is written 646. P.R. (? = 1646. Pietro Reggio); Type: Ms. Copy: Parts for trumpets, oboes, strings and bass.
Genre: Sacred Vocal Music: Songs

Avossa, Giuseppe d' - Italian.
     Aure placide.
18th century
Manuscript Number: Add. Ms 14192; Hughes-Hughes vol.i, 443. Copied by Camillo Franco, for whom the motet appears to have been composed; Type: Ms. Copy: Organ part.
Genre: Sacred Vocal Music: Solo Motets

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Source Citation: Italian Music Manuscripts in the British Library: Section D: Part 1: Edgerton, and Add. Mss.: c.1770-c.1820

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