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Abbé, P. L'.
     Observations sur l'arc-en-ciel, suivies de l'application d'une nouvelle théorie aux couleurs de ce phénomene.
Paris [s.n.]. 1788
Color; Rainbow.
     Reel: 1, No. 1

Abney, William de W. (William de Wiveleslie), Sir, 1844-1920.
     Cantor lectures on photography and the spectroscope.
London: W. Trounce. 1885
Photography; Spectroscope.
     Reel: 1, No. 2

Abney, William de W. (William de Wiveleslie), Sir, 1844-1920.
     Colour measurement and mixture.
London: Society for Promoting Christian Knowledge; New York, E. and J. B. Young. 1891
Color.
     Reel: 1, No. 3

Abney, William de W. (William de Wiveleslie), Sir, 1844-1920.
     Researches in colour vision and the trichromatic theory.
London: New York, Longmans, Green and Company. 1913
Color; Color Vision; Color-Blindness; Optics.
With 4 coloured plates and other illustrations.
     Reel: 1 & 49, No. 4

An Account of a new process in painting, in two parts.
London: F.C. and J. Rivington. 1821
Painting: Technique.
     Reel: 1, No. 5

Achad, Frater.
     Q.B.L., or, The Bride's reception.
Chicago: Collegium ad Spiritum. 1922
Cabala.
being a short cabalistic treatise on the nature and use of the tree of life; with a brief intro. And lengthy appendix by Frater Achad. Limited ed.
     Reel: 26 & 52, No. 266

Ackerman and Co.
     The principles of design and colour.
London: Ackermann and Company. 1847
Color; Design.
     Reel: 1 & 49, No. 6

Adams, Edward, architect.
     The polychromatic ornament of Italy.
London: G.W. Nickisson; New York: Wiley and Putnam. [1846?]
Decoration and Ornament: Architectural, Italian; Polychromy.
     Reel: 1 & 49, No. 7

Algarotti, Francesco, conte, 1712-1764.
     An essay on painting.
London: Printed for L. Davis and C. Reymers. 1764
Painting.
written in Italian.
     Reel: 1, No. 9

Alhazen, 965-1039.
     Opticae Thesavrvs Alhazeni Arabis libri septem nunc primum editi.
Basileae: Per Episcopios. 1572
Optics: Early Works to 1800.
a' Frederico Risnero.
     Reel: 1, No. 10

Alison, Archibald, 1757-1839.
     Essays on the nature and principles of taste.
Edinburgh: Printed for J.J. . and G. Robinson, London; and Bell and Bradfute, Edinburgh. 1790
Aesthetics.
     Reel: 1, No. 11

Allen, Grant, 1848-1899.
     The colour-sense.
London: K. Paul, Trench, Trübner. 1892
Color; Color Vision.
Its origin and development. An essay in comparative psychology; 2d ed.
     Reel: 1, No. 12

Alston, J.W. (J. William).
     Hints to young practitioners in the study of landscape painting.
London: Longman, Hurst, Rees and Orme. 1804
Landscape Painting; Painting.
To which are added instructions in the art of painting on velvet; Second edition.
     Reel: 1 & 49, No. 13

Andés, Louis Edgar, 1848-1925.
     Oil colours and printers' inks.
London: Scott, Greenwood; New York: D. Van Nostrand. 1903
Paint; Pigments; Printing Ink.
A practical handbook treating of linseed oil, boiled oils, paints, artists' colours, lampblack and printers' inks, black and coloured. Translated from the German by Arthur Morris and Herb. Robson. With fifty-six illustrations.
     Reel: 2, No. 14

Andrews, E.C. (Emory Cobb), b.1878.
     Color and its application to printing.
Chicago: Inland Printer Company. c1911
Color-Printing.
     Reel: 2 & 49, No. 15

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Source Citation: On Color: The Faber Birren Book Collection

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